Category Archives: Coastal Homes

Clever Getaway Cabins and the New Photo Circle App

Dream Machines

It’s hot. The workload is unending. Time to escape! A bathtub-on-wheels might

be just the ticket. Who needs soap when your soul can be cleansed by the view across New Zealand’s Coromandel Peninsula into azure sea and sky. But the

rolling fixture is only part of the story (here it is back in place by the shower:  “Hey Honey, where did you park the tub this time?!”) It’s in a very seductive modern vacation cabin designed by innovative Auckland/Queenstown architects Crosson Clarke Carnachan (photos by Patrick Reynolds via Trendir) for the

Crosson family. Hinged wall sections drop to the ground like portcullises to form

spacious decks beside the central breezeway, which functions as an indoor-

outdoor living room facing the sea view; bunk rooms, bathroom at the side. The

decks fold back up (and shutters cover windows) to secure the house when the owners are away.

Another clever design for a seaside location by the same firm takes escape to a delightful extreme: holiday house as kinetic sculpture and vacation transport. It’s

called The Sled and, according to the architects, was designed as a “response to the ever-changing landscape that lines the beachfront in this coastal erosion zone.” It’s built on big wooden skids so a tractor can tow it to a new section of the

dune as needed. When closed up it resembles a contraption for a Star Wars film (Jabba the Hutt’s cabana, er, hut??). Then when the family arrives, the big

shutter winches open to form an awning over the two-story glass and steel doors

in the living/dining/cooking space. The sleeping loft is accessible by a ladder up the

side wall. Every inch of space is utilized for storage, seating, or other functions (photos of this house by Jackie Meiring, courtesy Crosson Clarke Carnachan).

More ideas for cabins and retreats can be found in our Micro Cottages and Tiny Houses Collection, such as Studio Tower Plan 479-6 by Peter Brachvogel

and Stella Carosso, which could be incorporated into a larger design, as shown above, when time and resources allow.

Sharing Photos in a New Way

Because this is prime camera season I thought it appropriate to mention a useful new free photo app for smartphones called Photo Circle (full disclosure: it was developed by a young cousin). It creates a private shared album for friends and

family — you simply put your phones together to create a Photo Circle and start taking pictures. The technical description is “proximity pairing of smartphones with ultra-high frequency sound waves.” You can share comments on the pictures, bring new people into your circle via email, and create as many circles as you want. My pictures are mostly of houses, needless to say…

Recycled Redwood and a New Cabin Plan

Red Zeppelin

Hangar wood is the latest must-have recycled material — at least for me. It’s  from the historic zeppelin terminal known as Hangar One (not a vodka!)

built by the US Navy at Moffett Field in Mountain View, California in 1931 to house the airship USS Macon, shown above. Covering 8 acres, it remains an impressive Bay Area landmark with its own Historic District, and is adjacent to the NASA Ames Research Lab. The seductive, cinnamon-hued, handsomely

grained old-growth redwood — “with occasional to frequent screw and fastener

holes” — was part of the hangar’s roof framework that was uncovered during a recent renovation and is being sold by innovative reclaimed woods specialist Terra Mai. It’s marketed as Terra Mai Moffett Field Redwood for lumber, paneling, siding, or for custom applications (photos courtesy Terra Mai). Meanwhile, the fate of the hangar remains in doubt, but according to Terra Mai: “Google founders Page and Brin, along with Google CEO Eric Schmidt, have proposed funding the estimated $33 million cost of fully restoring the structure in exchange for private use of two-thirds of the floor space for their eight private jets.” I guess I would call this an extreme form of “parking karma.” And they could even sublease the air rights since the interior is so high (198 feet) that fog sometimes forms near the ceiling…

Terra Mai markets other reclaimed woods, which are used in distinctive projects

like this Sunset Idea House designed by Siegel & Strain Architects with interior

designer Chad Dewitt. The barn doors are reclaimed fir; the counter in the master bath is reclaimed teak (photos courtesy Terra Mai).

Cabin Fever

I would use some of that beautiful Hangar One redwood to build our newest exclusive design: Cabin Plan 546-1 by Maine architect Bruce Butler. The

1,194 sq. ft. shingle style, gable-roofed home is designed for relaxation and easy

indoor-outdoor living. There are two covered outdoor spaces for fresh-air living

at different times of day: a generous porch off the living room and a screened porch off the kitchen/dining area. The master bedroom is beside the living room

on the ground floor; two bunk rooms and the half bath are upstairs. It’s a simple and rustic design and suits a rural site in the mountains or near water. Add a place to tether your airship and you’re there! Welcome Bruce!

Fire Pits and Outdoor Fireplaces

Heating Up the Patio

Patios and decks are evolving fast thanks to a new generation of outdoor fire amenities. The Key West Coffee Table by Firegear, for example,  which was introduced in 2011, is actually a portable propane fire pit. The elegant contemporary table is 43 inches wide, 20.25 inches tall, and 20

inches deep,and has a 30 inch-long stainless steel burner running across the top.

According to the manufacturer the burner is covered first with a 1-inch (minimum) layer of cinders/lava rock and then you can add a layer of “fire glass,” or “fire stones” — also available from Firegear (the two units above, one with a stainless steel top and the other with a bronze powder-coated one, courtesy Firegear). Eco Smart Fire makes a wide range of outdoor fire features (some of which I have mentioned in previous posts). The Dish, shown here, is

one of their most classic designs and recalls both Frank Lloyd Wright’s urns  and an abstract campfire (image courtesy Eco Smart Fire). It’s made of steel, stands 9.2 inches high with a diameter of 23.6 inches, and burns bio-ethanol. For the old-fashioned wood burning aficionado there are legions of products based on versions of the old drum idea but one example stands out for originality and

and practicality: the Landmann Ball of Fire Outdoor Fireplace. The steel mesh sphere puts the flames on a pedestal while protecting you from the sparks; dimensions are 30.25 x 32.75 x  34.75 inches (image courtesy Best Barbecue Grills Reviews.com).

Architects and designers have always been interested in using outdoor fireplaces to shape a place, not to mention a patio or terrace. Julia Morgan — architect of Hearst Castle — designed one of the most evocative outdoor fireplaces ever, in the late 1920s — actually four-in-one — as a monument to commemorate the saving of an old-growth redwood forest. It’s called the California Federation of

Women’s Clubs Hearthstone, built as part of a picnic site near the South Fork of the Eel River in Northern California, and is made of stone and redwood (photo by Andy Bird courtesy 101 Things.com). There’s a bit of an irony here, since the fireplaces would presumably consume the occasional redwood log, but it is nonetheless a marvelously poetic expression of a partnership between man and nature. It’s a small, gabled, cruciform-shaped temple to the gods — as if the entire forest were one giant house and this was its hearth. For a more recent residential example, consider the outdoor fireplace at a house in Washington’s

San Juan Islands by Olson Kundig Architects. The house and the fireplace are set into a stone outcropping. The hearth is “carved out of existing stone; leveled on top…otherwise left raw” according to the architect, so the fireplace is in one sense hewn right out of the site (photo courtesy Olson Kundig Architects).

Outdoor fireplaces are even designed into some of our ready-made plans, like

this one in Plan 120-162, which is part of a lanai overlooking the backyard. So you can see, there many ways — from temporary to permanent — to add a little summer sizzle to your outdoor space.

What Makes a Great Outdoor Room?

Fresh Air Fantasies

Spring fever is upon me so what makes a great outdoor room? In Baroque Italy it might have included finely clipped box hedges, stone benches, a bubbling fountain, the odd grotto, and perhaps a running stream for keeping wine bottles cool (those thirsty cardinals and popes!). In the late 1920s the famous modern architect Le Corbusier designed a roof garden for an eccentric client in Paris that was a surrealist living room: an ornate fireplace, a rug-like lawn, and the

Arc de Triomphe peeking over one wall like the fragment of a floating cornice (photo courtesy Studio International). More recently architects and designers have continued to push boundaries, literally, and they have shown how almost every room in the house can move outdoors. Here’s a quick round-up of indoor functions that migrate.

Living. Of course a patio sitting area becomes a secondary living room, as

landscape architect Bernard Trainor shows in this arrangement around a fire pit, where the gravel floor and perimeter plantings neatly define the space (photo courtesy Bernard Trainor). Crisp edges, smooth ground, two chairs and perhaps a shade umbrella are really all you need. A built-in bench protected from the sun

by a retractable canopy is another way to go as shown in this example by architect Buzz Yudell, of Moore Ruble Yudell Architects, and architectural colorist Tina Beebe, where the pillows seem to embody the weight and color of shade itself — lighter to darker green.

Cooking. Outdoor kitchens have grown in popularity and run the gamut from simple built-in barbecues with an adjacent counter to grand food preparation

zones with a full complement of appliances designed for outdoor use, not to mention pizza ovens and flat screen televisions. (The example above is from Plan 496-14, by Leon Meyer.) The arrival of versatile folding wall systems — pioneered by Nanawall from the US, with other companies like Centor from Australia adding to the mix — have made it possible to turn any kitchen with an outside wall into an outdoor kitchen. (This Nanawall example is courtesy

Shannon, Scarlett, Taylor Architects).

Dining. In good weather everyone wants to be outside, especially at mealtime,

and here’s an especially serene space for alfresco dining by Aidlin Darling Design. I hope that after this compelling image was made the owners added a little more seating — otherwise the fire seems to be entertaining itself (photo courtesy Aidlin Darling via Custom Home). Architect Hugh Newell Jacobsen is known for supremely elegant houses where outdoor rooms are proportioned

like interior ones, as this hip-roofed patio dining pavilion demonstrates (courtesy Architectural Digest).

Bathing. Where the climate is temperate and there’s enough privacy even bathrooms can move outside, as this dramatic example by the firm of

Backen Gillam Kroeger Architects demonstrates. When the walls slide away you can really soak in the sunset! (Photo courtesy BGK Architects.)

Sleeping. It’s a summertime pleasure to sleep in the open air. Certainly it can be done with a sleeping bag, but there are other ways to go. The Mexican modern architects Legoretta and Legoretta turned an entire bedroom

at a house in Hawaii into a breezeway. The corner disappears — no sleepwalking allowed (photo courtesy Architectural Digest). But simply installing a hammock

on the porch (visible in the distance, house design by and photo courtesy of Walker Warner Architects) might be enough. Or why not hang your bed from the

rafters for the ultimate relaxation room, and let your house rock you to sleep (photo courtesy Chomec.com).


New Katrina Cottages and Bungalows

Shotguns and Survival

Hurricane Katrina blew away or seriously damaged a lot of Gulf Coast architectural history — like the classic mid 19nth century “shotgun house”

at Bay St. Louis shown here (courtesy Mississippi Heritage Trust) and so-called because you could shoot a bullet front to back without hitting an interior wall, but Mississippi architect Bruce Tolar has fought back, helping communities overcome the devastation and even renew their roots. Like Marianne Cusato and others he developed a variety of innovative, easy-to-construct, small houses — including Katrina Cottages  — that add character, even a sense of history, to a neighborhood. Now these plans are part of our Signature Studio.

His two bedroom, one bath, 672 sq. ft. Plan 536-4 deftly brings the shotgun idea into the 21st century by including hurricane-resistant construction

and a contemporary layout. (You can still enjoy some target practice down the hall though you’ll need to be okay with blasting through the bedroom closet.) The house is tiny but lives large thanks to the generous front porch and the combined kitchen/living space. The three bedroom, three bath, 1,413 sq. ft.

Plan 536-1 takes a more expansive approach while keeping the neighborly

 front. The cross-axial dormers brighten the upstairs bunk room and bath.

Plan 536-3 is a simplified version of Plan 536-1, with no upper floor and

   a shortened front porch. I can see this plan built as a vacation cabin

or a starter home. But these houses are really designed to shape a

 community, as Bruce shows in his walkable Cottage Square development at

Ocean Springs, Mississippi, pictured in the two photos above, where his designs complement those by Marianne Cusato and others in a pleasing example of countryside urbanity.

Plan 536-5 takes a different tack and draws inspiration from Caribbean

architecture with stucco or plaster walls and high balconies as well as 

wrap-around porches to maximize cross ventilation in a hot climate.

With their connections to a larger historical context  these plans are all about creating — or in some cases re-creating — a strong sense of place. These houses remind me of Mark Twain’s famous line that history might not repeat it self, but it rhymes. Welcome Bruce!

Welcome, Katrina Cottage Plans

Finessing the FEMA Trailer

Big news! We are very excited to welcome the Katrina Cottage plans — from a team of designers and architects led by Marianne Cusato – to our Signature Studio. Prices start at $850. Years ago I saw one of the first examples, at the Home Builder Show in Orlando (shown below, courtesy James Hardie), and was very impressed. Here was an innovative solution to the devastation wrought by Hurricane Katrina that could apply to housing needs in general.


I especially liked the efficient layout (this example is only 300 square feet), well proportioned double-hung windows, and front porch with built-in benches. I thought then, and now even more so, that this little house would dignify any neighborhood. To my mind it is a highly evolved descendant of the charming wood-framed “earthquake cottages” built for San Francisco’s homeless

after the disaster of 1906 (photo courtesy National Park Service, Presidio). Fast forward to today and our expanding collection of Katrina Cottage designs, like Marianne Cusato’s Plan 514-5, shown below.


The 544 square-foot, two bedroom, one bath house includes a galley kitchen

and a front porch that’s 8-feet deep so it can be used as an outdoor room to expand the house in good weather. Here it is as built.

(Photo courtesy Cusato Cottages.) The house is only sixteen feet wide but has a strong presence thanks to the welcoming front porch. Marianne calls this “vernacular Gulf Coast” architecture but I can see it working in places like the Northeast and Midwest as well.

Envisioned as a dignified alternative to the FEMA trailer, Katrina Cottages have been hailed for their design, durability, versatility and, affordability in USA Today, The Wall Street Journal, The New York Times, on CNN and in all major news outlets nationwide. The Katrina Cottage concept is the vision of architect Andres Duany, partner in Duany Plater-Zyberk & Co., founders of the Congress for the New Urbanism and designers of hundreds of pedestrian-oriented communities including Seaside, Florida. The cottage idea was first developed at the Mississippi Renewal Forum in October 2005. The goal was to create a safe, affordable, livable home that can be built quickly and that ultimately becomes an enduring contribution to the neighborhood — not a temporary, often stigmatized, and possibly unhealthy solution like a FEMA trailer.

Plan 514-10 by Eric Moser, of Moser Design Group, is 20 feet wide and includes a buffet bar/peninsula in

the kitchen.

 

A shed dormer brightens the loft. Plan 514-11 by W. A. Lawrence of

Period Style Homes is 25 feet wide and includes an option for adding a third bedroom. Marianne Cusato’s Plan 514-18 is the largest so far,

at two stories and 1,200 square feet. Two bedrooms and a second bathroom are 

on the upper floor. Here’s a built version of it in Baton Rouge, Louisiana (photo courtesy Cusato Cottages).

The shutters, clapboard siding, and gable profile give it a handsome Colonial Revival look.

Marianne Cusato is the author of Get Your House Right, Architectural Elements to Use and Avoid, with Ben Pentreath, Richard Sammons and Leon Krier, foreword by HRH The Prince of Wales (2008, Sterling Publishing). In 2006, her Katrina Cottage won the Cooper-Hewitt Design Museum’s “People’s Design Award.” W. A. Lawrence and Eric Moser have long been involved in neighborhood and residential design. These houses can be family homes, vacation cabins, even granny units, and it’s easy to imagine combining them into vibrant communities. To mix a few metaphors — an architectural phoenix has risen from the floods. Welcome, Katrina Cottage plans!

Iconic House Design plus New Kirei Wood Paneling

Start With Simple

Let’s talk about how using an iconic shape can help you conceptualize the modern design of your new home — architects start here all the time. Take the simplest architectural outline, such as four walls topped with a gable roof, as shown in this archetypal Scottish stone barn.


(Image courtesy gairloch.org) What can you do with it? How can you pack it, expand it, open it, raise it, give it a sense of history or modernity? Here’s a sampling of houses that all began with a similar profile,

starting with architect Rick Joy‘s design for a barn-inspired house in Vermont.

(Images courtesy Architectural Record.) Inside you can see how the shape is simply hollowed out for the main living space, with minimal but strong posts and rafters providing support. The design feels modern and historical at the same time. One side opens to a terrace while other has high windows for balanced light. Architects William Turnbull and Mary Griffin began with the long barn idea and then

divided it into two spaces (kitchen/living area and a bedroom/bathroom) separated by a breezeway-dining room, creating a contemporary dogtrot cabin (itself an historical house type) for the wine country.The outdoor dining room can be closed off from the prevailing wind with a sliding barn door  (which is in the open position, in kitchen on drawing).

The house is the width of a vine row (drawing and photo courtesy TGH Architects). Architect Stephen Atkinson took a similar tack with corrugated aluminum siding

and pulled the fireplace away to mark the edge of the deck in his Zachary vacation house.

(Images courtesy Studio Atkinson.) His plan is also a dogtrot but includes a galley kitchen that parallels the long axis; the breezeway stretches beyond the house to include the fireplace and deck. Australian architect Glenn Murcutt has often explored the use of simple house forms and distilled them to an essence,

as in the elegant curve of the gable on his Marie Short house (images courtesy Architectural Record), which also seems to be channeling a fluid line from Alvar Aalto. In this case the walls are really a series of operable layers that filter light, air, and view. So the iconic form creates a structure that allows for change depending on needs and circumstances. The two story gable is equally iconic, especially in the Rudin

house, made of concrete by Swiss architects Herzog and de Meuron (image courtesy Apartment Therapy), which in turn has influenced designs by others,

like this memorable little shelter by Ultra Architects of Poland (image courtesy Mocoloco).

The most famous riff on such shapes is probably Robert Venturi’s design for his mother’s house from 1964 in Chestnut Hill, Pennsylvania.

Venturi used the gable as the centering device for the facade and then broke it to bring in high light and shape the entrance (image from The American House, courtesy curatedmag.com). This house became an icon in its own right as a herald of “Post Modernism.”

Archetypal house forms are also at the heart of designs by architects in our Exclusive Studio, such as Bud Dietrich’s wide gable that encompasses

greenhouse windows and a garage, Plan 481-1; Ross Anderson’s Plan 433-1

for a coastal getaway, with saddlebag-like attachments like the rustic staircases and the screen porch; Braxton Werner and Paul Field

and their version of a long barn house, Plan 491-10; Gregory La Vardera’s Plan 431-14

even recalls the Herzon & de Meuron example in its cubist quality, only in shingles this time, not concrete,  and Frank McGahon’s Plan 520-7,

which combines a series of long gables into a courtyard layout. And we’re back to the stone barn — not from Scotland now but from Ireland!


Recycled Wood News

Kirei is a sustainable wood manufacturer known for handsome bamboo, wheatboard, and Kirei board products (the latter is made of reclaimed sorgum straw) and has just launched the new Windfall line of paneling.

It uses reclaimed wood from deconstructed buildings in the Pacific Northwest to create engineered wood panels for wall coverings and casework (image from Kirei). Solid panels come in Clear, Ivory, Anthracite, and Mocha finishes; 3-ply panels come in Clear finish. Solid and 3 ply panels also come in an end-grain style.