Category Archives: Decks

Clever Getaway Cabins and the New Photo Circle App

Dream Machines

It’s hot. The workload is unending. Time to escape! A bathtub-on-wheels might

be just the ticket. Who needs soap when your soul can be cleansed by the view across New Zealand’s Coromandel Peninsula into azure sea and sky. But the

rolling fixture is only part of the story (here it is back in place by the shower:  “Hey Honey, where did you park the tub this time?!”) It’s in a very seductive modern vacation cabin designed by innovative Auckland/Queenstown architects Crosson Clarke Carnachan (photos by Patrick Reynolds via Trendir) for the

Crosson family. Hinged wall sections drop to the ground like portcullises to form

spacious decks beside the central breezeway, which functions as an indoor-

outdoor living room facing the sea view; bunk rooms, bathroom at the side. The

decks fold back up (and shutters cover windows) to secure the house when the owners are away.

Another clever design for a seaside location by the same firm takes escape to a delightful extreme: holiday house as kinetic sculpture and vacation transport. It’s

called The Sled and, according to the architects, was designed as a “response to the ever-changing landscape that lines the beachfront in this coastal erosion zone.” It’s built on big wooden skids so a tractor can tow it to a new section of the

dune as needed. When closed up it resembles a contraption for a Star Wars film (Jabba the Hutt’s cabana, er, hut??). Then when the family arrives, the big

shutter winches open to form an awning over the two-story glass and steel doors

in the living/dining/cooking space. The sleeping loft is accessible by a ladder up the

side wall. Every inch of space is utilized for storage, seating, or other functions (photos of this house by Jackie Meiring, courtesy Crosson Clarke Carnachan).

More ideas for cabins and retreats can be found in our Micro Cottages and Tiny Houses Collection, such as Studio Tower Plan 479-6 by Peter Brachvogel

and Stella Carosso, which could be incorporated into a larger design, as shown above, when time and resources allow.

Sharing Photos in a New Way

Because this is prime camera season I thought it appropriate to mention a useful new free photo app for smartphones called Photo Circle (full disclosure: it was developed by a young cousin). It creates a private shared album for friends and

family — you simply put your phones together to create a Photo Circle and start taking pictures. The technical description is “proximity pairing of smartphones with ultra-high frequency sound waves.” You can share comments on the pictures, bring new people into your circle via email, and create as many circles as you want. My pictures are mostly of houses, needless to say…

Retro Modern Showhouse in Orlando

Water Tables, Flame Throwers, and Other Novelties

Splash and Sizzle seemed to be the watchwords of the latest show house sponsored by the National Association of Home Builders and Builder magazine. Designed to be a “reinterpretation of the classic white box of the 1960s and ’70s,” this so-called “New American Home” (the program, now in its 29th year, is a design and new product showcase for manufacturers) occupies an infill lot in Winter Park, just north of Orlando, Florida. I toured it earlier this week while I attended the International Builders Convention in Orlando.  The modern two story, 4,183 square-foot home wraps around three sides of a square

pool flanked by decks, effectively turning the water — and outdoor living — into  glamorous sculptural features. The pool sharply edges the lanai, shown above, which means you better not have that second martini unless you fancy a dip. Probably not a space for toddlers, either, come to think of it. Electrically controlled screens by Phantom Screens glide down from the ceiling (where they are hidden) to keep

insects away. (Photos above courtesy James F. Wilson.) There’s no denying the resort-style theatricality: in one corner of the deck there’s a riff — or is it a ripple — on the Renaissance idea of the “water

table” — though here the water runs under a glass top to form a cascade at one end. It looks wildly impractical  and is pretty noisy but would be a great spot to sip a margarita on a hot and humid summer day. Or is this where you check in! Fire is the other element that gets a lot of play, from the stainless steel “Bellagio

Patio Torch” by Napoleon Fireplaces on the deck, to the glass flame cube placed on the outdoor kitchen counter. Australian fireplace manufacturer Eco Smart is especially

inventive — their other designs beside the Mini T, above, include the Cyl,

the Bulb,

and Styx. All of the Eco Smart products use bio-fuel.

The house is clearly designed for a very specific client in mind — an art lover who enjoys taking advantage of the balmy Florida climate. The plan shows how

everything opens to the outdoors; in fact the front entry is actually into the lanai, which seems appropriate in Orlando. The restricted palette of white stone,

white solid surface, glass, and chocolate brown cabinetry (as here in the kitchen) is too slick and boardroom/penthouse for my taste, but it was fun to explore. I

think my favorite spot is the upstairs lounge with its deck and partial street view, shown above. (Two previous photos courtesy James F. Wilson.) I was encouraged to see a modern design approach instead of yet another reworking of a Mediterranean style. And anyway, the house showed off the products very well, which is what it was designed to do. The house was designed and built by Phil Kean, LLC/Phil Kean Designs.


Contemporary House Plans from Estonia

Talent — and Modern Living — from Tallinn

I am excited to introduce house plans by Andrus Elm and Oliver Kangro of Concept Home, a company from Estonia on the Gulf of Finland with wide engineering, architecture, and development experience across Southern Europe and Scandinavia. Concept Home is the newest member of our International Exclusive Studio, which also includes plans by architects from Australia, Brazil, India, Ireland , and Italy. I’m drawn to Concept Home’s open and adaptable layouts, wide range of plan types, and warm contemporary style. Plan 537-9, for

example, which has 1,487 sq. ft., would work well for a ski chalet or a country getaway, with its strong

indoor-outdoor connections (terraces on two sides) and upstairs balcony leading

to two bedrooms, which lets the upper level share views out the tall living room window wall. Plan 357-13, below, has 4 bedrooms, three baths in 2,300 sq. ft.

boasts a handsome extended hearth in the living area and a generous covered

dining terrace off the kitchen. With its shed roof, vertical board siding, and

window wall, Plan 537-17 recalls classic modern designs like the Sugar Bowl Ski

Lodge of 1939 designed by architect William Wurster (photo courtesy 2729

Hyperion.com) and a mid 1960s house like this one at Sea Ranch by Joseph Esherick (photo courtesy Sea Ranch Escape).The layout of Plan 537-17 is

carefully thought out with a multi-functional island — for cooking and dining –

separating the kitchen from the living area, a large storage closet near the kitchen, and terraces at front and rear on the ground floor and deck above. The aim of Concept Home is to design houses that are flexible, functional, full of

natural light (this is Plan 537-4), and inexpensive to build. They feel natural and warm. And, according to Concept Home: “Most of our houses can be adjusted to passive house principles in a great variety of geographical locations. We believe that a modern house must be energy-efficient.” Bravo.

So welcome home, Andrus and Oliver — or should I say it in Estonian: Tere tulemast kodu!!


Cantilevers at Home

Hanging Tough

Brad Pitt has long been interested in landmark residential architecture, having co-authored a book on the Blacker house of 1907 designed by Greene & Greene, as well as having founded the Make It Right Foundation for housing in the Ninth Ward of post-Katrina New Orleans. According to Celebuzz, he’s also a fan of Frank Lloyd Wright’s Fallingwater, at Bear Run, Pennsylvania,

which he visited in 2006 (photo of Brad and Angelina by Cara Armstrong, courtesy Celebuzz). All of which brings to mind the starring roles of architectural elements like the cantilever — which Wright made so famous in his waterfall -lunging design. This is evidently partly why Brad is interested — he’d like to build on a similar site some day. (Maybe we can provide a plan!) Indeed, the cantilever, defined as a projecting beam or member supported only at one end, is very seductive. Alvar Aalto’s cantilever chair for Artek of the early

1930s is a perfect example (photo courtesy Kissthedesign).  So

is one of Marcel Breuer’s famous metal chairs (photo courtesy Factoidz) designed in the late 1920s. The trick is to provide enough counterweight or balance to support the projection. The idea was quickly adopted by the most progressive architects of the 20th century for its expressive quality as a form of  abstract space-shaping sculpture, as Marcel Breauer did in the first

house he designed for his family in New Canaan, Connecticut of 1947 (photo courtesy Archives of American Art). Architect and Breuer biographer Robert F. Gatje, who worked in the Breuer office for many years, told me that the “floating” portion of this house worked well — no posts to get in the way of the carport below it — but that it always had a certain “bounce” to it, especially on the deck. No doubt it gave Mrs. Breuer an extra spring to her step. The cantilever is in fact a space-saver and architects often use it where there is a desire to minimize site disturbance or to take dramatic advantage of a view, as the architectural firm

Anderson Anderson did with this house in the Cascade Mountains north of Seattle (photos above and below courtesy Anderson Anderson).

The architects give a good rationale for this design: “The small ground floor building footprint/foundation reduces the cost of this expensive area of the house, and allows the points of attachment to adapt to varying slope and soil conditions with minimal disruption of the natural topography.” In other words they can use this or similar designs on a variety of rugged sites. With cantilevers, things can get dramatic very fast, as in the “Ribbon House” by the Perth, Australia firm H + AA.

Not only is the  glass-walled living room projecting into the landscape but the roof appears to be rippling into the sky as if caught by a sudden gust of wind.

I think a cantilever is most useful for a house if it can be used in a way to maximize the appreciation of a beautiful landscape feature, the way a great bridge does. So Brad, I hope you find a good site, first!

A Good Idea

With football bowl season upon us — not to mention the second series of Downton Abbey — it’s time to look around for the correct TV remote — now where did you see it last? So here’s an idea that my wife Mary dreamed up: the Multiple Pocket Remote Holster!

Straightforward sewing around a long dowel, from which it hangs. Fabric and pattern up to you. There. Now it’s easier to find the clicker so you can watch the latest Brad Pitt or Angelina Jolie film!

Dream Cabins and Cabin Dreams

Getaway Architecture

Now, during the holiday week, is a good time to dream about rest and relaxation in your own rural getaway. So here’s a short list of architecturally suggestive cabins.

One. The prefab in the trees by Swedish firm Cyrén & Cyrén gives new meaning

to lodging, not to mention lodge-pole pines. It’s a bedroom unit in the Tree Hotel, located in Harrads, near Sweden’s Lule River, and looks like it came from a galaxy far far away (photo above courtesy Inhabitat, photo below courtesy Dezeen). A catwalk leads to the

rooftop entrance (one of the other suspended rooms is a mirror cube). Improbable and delightful — I want to go there! Presumably a gentle breeze will rock you to sleep, but if you hear a chain saw it may be time to check out.

Two. Continuing the rustic theme, here’s a cabin designed for Hans Liberg by Piet Hein Eek that uses tree trunks as a way of

playing with geometry: more of a log box than a log cabin. In full camouflage mode (the wood covers a prefab plastic and steel frame) with the shutters down, the

logs pile up and the hut disappears — well, almost. “Ceci n’est pas un woodpile,” as Duchamp might say. I like the way the design takes the idea of the duck blind and runs with it (quite far away!). Images courtesy Andrew Michler on Inhabitat and also Dornob. For more images see Thomas Mayer Archive.

Three. Architect David Coleman describes his Hill House in Winthrop, Washington as a “20 ‘ wide x 115′

long stepped platform… sited on a long, narrow, rocky hillside…it reads as a habitable landscape” (photos courtesy David Coleman). I like the way it culminates in the deck with the round fire

pit defined by gabion (rock filled cages) walls on the master suite end, and with another deck and more gabions on the living room end, as if the structure is growing out of or into the land itself (photo courtesy Mocoloco.) This simple serene progression from public to private and vice versa is evocative: home as a short architectural hike…

Four. This urbane floating home on Seattle’s Lake Union by Vandeventer & Carlander Architects puts the main entertaining spaces — organized as a series of framed openings within an elegant

box — on the upper level. The living room veranda is carved out of the rectangular volume to sharpen sight lines across the water. It also cantilevers over the lower floor to shelter the deck off the master bedroom. The design shows how to swim with geometry (photo courtesy Karmatrendz).

Five. “Packed But Never Shipped” might be a good name for this clever cabin by Olson Kundig Architects.

When the window flaps — resembling warehouse pallets — are down they form the surrounding deck platforms so the tiny structure can expand (images courtesy Olson Kundig). When the vacation ends, the platforms fold up for security and the house is effectively crated, to await the next weekend when it can be unpacked and played with again. Take care of your toys and they will last longer!

These design approaches appeal to me because they are all about serious play: taking inspiration from settings, structure, and materials to fashion something unique and memorable. Use them — along with the many serious and seriously playful schemes in our Cottage Plans Collection and One Bedroom Plans Collection, like 479-1 by architects Peter Brachvogel and Stella Carosso (below)

or 517-1 by architect Jonathan Feldman (below);

or 452-2 by architect David Wright (below)

to help you jump start your own getaway cabin dreams. (When you browse these collections sort by “newest plans” to see our latest designs.) Here’s to the comfort and joy of architectural invention.

Iconic House Design plus New Kirei Wood Paneling

Start With Simple

Let’s talk about how using an iconic shape can help you conceptualize the modern design of your new home — architects start here all the time. Take the simplest architectural outline, such as four walls topped with a gable roof, as shown in this archetypal Scottish stone barn.


(Image courtesy gairloch.org) What can you do with it? How can you pack it, expand it, open it, raise it, give it a sense of history or modernity? Here’s a sampling of houses that all began with a similar profile,

starting with architect Rick Joy‘s design for a barn-inspired house in Vermont.

(Images courtesy Architectural Record.) Inside you can see how the shape is simply hollowed out for the main living space, with minimal but strong posts and rafters providing support. The design feels modern and historical at the same time. One side opens to a terrace while other has high windows for balanced light. Architects William Turnbull and Mary Griffin began with the long barn idea and then

divided it into two spaces (kitchen/living area and a bedroom/bathroom) separated by a breezeway-dining room, creating a contemporary dogtrot cabin (itself an historical house type) for the wine country.The outdoor dining room can be closed off from the prevailing wind with a sliding barn door  (which is in the open position, in kitchen on drawing).

The house is the width of a vine row (drawing and photo courtesy TGH Architects). Architect Stephen Atkinson took a similar tack with corrugated aluminum siding

and pulled the fireplace away to mark the edge of the deck in his Zachary vacation house.

Images courtesy Stephen Atkinson Architecture.) His plan is also a dogtrot but includes a galley kitchen that parallels the long axis; the breezeway stretches beyond the house to include the fireplace and deck. Australian architect Glenn Murcutt has often explored the use of simple house forms and distilled them to an essence,

as in the elegant curve of the gable on his Marie Short house (images courtesy Architectural Record), which also seems to be channeling a fluid line from Alvar Aalto. In this case the walls are really a series of operable layers that filter light, air, and view. So the iconic form creates a structure that allows for change depending on needs and circumstances. The two story gable is equally iconic, especially in the Rudin

house, made of concrete by Swiss architects Herzog and de Meuron (image courtesy Apartment Therapy), which in turn has influenced designs by others,

like this memorable little shelter by Ultra Architects of Poland (image courtesy Mocoloco).

The most famous riff on such shapes is probably Robert Venturi’s design for his mother’s house from 1964 in Chestnut Hill, Pennsylvania.

Venturi used the gable as the centering device for the facade and then broke it to bring in high light and shape the entrance (image from The American House, courtesy curatedmag.com). This house became an icon in its own right as a herald of “Post Modernism.”

Archetypal house forms are also at the heart of designs by architects in our Exclusive Studio, such as Bud Dietrich’s wide gable that encompasses

greenhouse windows and a garage, Plan 481-1; Ross Anderson’s Plan 433-1

for a coastal getaway, with saddlebag-like attachments like the rustic staircases and the screen porch; Braxton Werner and Paul Field

and their version of a long barn house, Plan 491-10; Gregory La Vardera’s Plan 431-14

even recalls the Herzon & de Meuron example in its cubist quality, only in shingles this time, not concrete,  and Frank McGahon’s Plan 520-7,

which combines a series of long gables into a courtyard layout. And we’re back to the stone barn — not from Scotland now but from Ireland!


Recycled Wood News

Kirei is a sustainable wood manufacturer known for handsome bamboo, wheatboard, and Kirei board products (the latter is made of reclaimed sorgum straw) and has just launched the new Windfall line of paneling.

It uses reclaimed wood from deconstructed buildings in the Pacific Northwest to create engineered wood panels for wall coverings and casework (image from Kirei). Solid panels come in Clear, Ivory, Anthracite, and Mocha finishes; 3-ply panels come in Clear finish. Solid and 3 ply panels also come in an end-grain style.




Home Ideas from Apple’s Architect

Slide To Unlock! A Linear Approach

I just saw a wonderful rustic-contemporary house by eminent architect Peter Bohlin, whose firm – Bohlin, Cywinski, Jackson – is responsible for the design of the Apple stores including the marvelous glass cube on Fifth Avenue in Manhattan as well as the headquarters for Pixar, in Emeryville, California (which I profiled in a previous post). The tour was sponsored by the California Council of the AIA, hence the populated spaces.

The house rides a gentle live oak-studded ridge and offers layout lessons as well as some innovative design details. You follow the long stone wall

to the entry, pass through the wall, and arrive on the deck between the pool and the house. Turn right and you enter the great room.

The stone-paved circulation spine (where everyone is standing) follows the inside of the wall you just paralleled, past the kitchen to the bedrooms at the rear. Turn the other way and you face the pool and the dramatic mountain view.

That familiar stone wall is now leading the eye into the distance even as its

increasingly irregular profile deftly echoes the line of the hills. Now this is architecture that resonates with its setting!

In one sense, and with the Apple connection in mind, it’s a sort of “I-house” (thank you Houseplans.com colleague Ting Lee for this observation!) so here are what I’d call the relevant “architectural apps.”

The cutting board/drain board that’s part of the kitchen island does double duty: it slides on tracks across the sink to form a handy cover for dirty dishes or when you need more

surface area for food preparation or a buffet.

This is a clever idea that I wish I had in my kitchen — the cutting board always needs to be washed off anyway so why not make it part of the sink in the first place. Another “take-away” idea is the way the fireplace forms part of a separate alcove while still warming the room at large, as shown in the overall photo of the great room, above. The generous hearth allows for sitting, wood storage, and display while acting as a focal point for the rest of the space.

It’s a short-hand version of an inglenook, which was popular in Shingle Style and Craftsman homes at the turn of the 20th century. Bohlin’s multi-functional approach continues in the design of the niche for the flat screen television.

It’s hidden behind this sliding steel panel, which is shared with the adjacent deep-sill window — note the barn door track at the top. When you want to watch television you slide the panel to the left and it covers the window, thereby blocking the light. Then — to just slightly adjust  the phrase on every I-Phone — just slide to unblockA clever alternative to hiding the flat screen behind a painting.

The bathrooms in this house are also very cool and include a double vanity that’s one long concrete trough sink

and a bench that extends through the glass wall of the shower

to maximize the feeling of spaciousness.

The broader lesson of this house is in the simple linearity of its plan: really just one big room connected to bedrooms and bathrooms by a corridor like compartments on a train. And here the deck and pool continue the line, but as rooms that are open to the sky. This “single file arrangement” is a good conceptual starting point for anyone thinking about building a new house and will fit a variety of site conditions. For example, compare Greg La Vardera’s Plan 431-2

where every major room opens to the deck that runs the length of the house, with Plan 491-10 by Werner Field,

with the great room similarly bracketed by bedrooms, decks like running boards, and a breezeway near the center. This sort of linear plan is almost an archetype — Peter Bohlin simply put the great room at one end. So if hiring Apple’s architect is not an option, use these plans to start visualizing what you need for your situation, I mean your “I-Building-Pad.”


Garden Spas and Tower Houses

Bubbles and Bromeliads

Summer’s end prompts one last grasp for outdoor recreation, say for this seductive, round stainless steel spa deftly set into a boulder-strewn backyard slope.

Thanks to the simple clarity of the design — a smoothly turned curve set into upper and lower decks that stair-step down the hill — it becomes an integral part of the landscape (unlike so many prefabricated spas that resemble huge plastic tub toys full of bubbling hot water). Rectangular versions can also become focal points instead of eyesores.
This one edges a patio close to the house and doubles as a garden seat.

Here the clear green-blue water stands out against the burnished steel of the spa and the red-brown of the wood deck, to make a serene reflecting pool when not in use (examples and photos courtesy Diamond Spas). Though custom-designed, these modern spas are less expensive than adding a pool, fit smaller spaces, and allow for year-round use. 

Rapunzel was a Ranger — and More

Small towers — with a room at the top for reading, sleeping, or just looking out – have been seductive since well before Rapunzel was asked to let down her hair. There’s just something very appealing about having your own retreat at least one story up with a commanding view across the landscape — especially to architects. Of course it helps to have a way in and out that doesn’t involve a lot of “product.” Montana architect Jeff Shelden of Prairie Wind Architecture designed a tower as a weekend getaway, and patterned it after fire lookouts in national forests, complete with a walk-around balcony.

I visited it with Jeff  during the winter a number of years ago and I was entranced. It has everything: the lower floor is a country kitchen

complete with an old-fashioned range, and a dining nook. Upstairs is the living

area and the wrap-around balcony sheltered by the pyramid roof.

San Francisco Architect Lewis Butler (Butler/Armsden Architects) has designed a getaway for his parents in California’s Central Valley that harks back to 19th and early 20th century water towers, as well as early  work by William Wurster.

A lookout is where the water tank would have been.

The view across fertile fields is majestic: “Good Morning, Yolo County!”

Much of the interior of the tower is occupied by the soaring master bedroom (a circular stair in one corner winds up to the lookout). The kitchen/living space is in the shed roofed section at the base.

An equally seductive tower house by Andersson-Wise Architects overlooks Lake Travis near Austin, Texas. 

Each of the lower two floors has a bedroom with a dramatic corner window. At the top is a kitchenette and dining terrace where I think every meal must

begin with a toast to Lake Travis (images courtesy Andersson Wise Architects). Arthur Andersson was a design partner of the late Charles Moore, who was one of the architects of Sea Ranch and other modern regionally evocative designs and founder of distinguished firms across the country. Moore’s Quarry Road House,  also in Austin, is a magic cabinet of design ideas in its own right and can be visited by appointment.

At Houseplans.com we have several tower plans, including Plan 64-202,

which includes two bedrooms on the ground floor, kitchen-dining in the middle, and living room at the top. Tower Studio Plan 479-6, by Peter Brachvogel and Stella Carosso, mentioned previously, is shown here included in a larger house.


Using a small tower element to define some aspect of a larger house or compound is a clever idea. It can help define an entry or organize a composition. I have even seen a very elegant modern house that included two towers diagonally opposite each other, designed for an artist and an architect — a sort of Romeo and Juliet approach but with a happy ending. Maybe Rapunzel can find a compatible Prince architect someday.


Waterside Home Design

Coastal Compositions, Modern and Rustic

A week’s vacation on the east coast got me thinking about houses by the water and what makes some of them successful, like the famous Clara Fargo Thomas house of 1937 on Mt. Desert Island in Maine, shown below (photo courtesy Portland Monthly).

It was built for a painter/muralist  and was designed by the great Philadelphia modernist architect George Howe (also responsible for the early modern PSFS skyscraper in that city with his partner William Lescaze). I remember architectural historian Vincent Scully showing this house in one of his Yale lectures as a landmark example of regional modernism. It was regional in its use of wood and stone, the shingle hipped roof, and the way the house capitalized on the dramatic natural setting; modern is its strong simple, almost abstracted shape, walls of glass, and concrete support beams cantilevered over the rocks and making the house appear to float over Somes Sound.

Inside, the view dominates and the elegant wood and glass doors slide away to unite the living room with the surrounding deck, as the descriptive page from an early article on the house shows (courtesy SaveWright.org). George Howe had a conversion of sorts in the late 1920s — he had been part of a very fine firm (Mellor Meigs & Howe) that produced elegant traditionally style homes around Philadelphia, but was starting to feel the need to express more of the Machine Age in his design. In 1930 he gave a famous speech to the AIA convention championing modernsim, which was a radical idea to a profession still steeped in Beaux Arts classical ideals. This house expressed a fine melding of past and future (as well as inside/outside) and became part of an exhibition at the Museum of Modern Art.

The mid- and late 1930s saw a burgeoning interest in modernity and nature with the building of such landmarks as the Villa Malaparte (mentioned in a

previous post) on the island of Capri, shown above (courtesy Panoramio.com), where the geometry is even more abstract — think of the abstract planes of Frank Lloyd Wright’s Fallingwater, of the same period.

More recently, in the early 1960s on the California coast near Big Sur, architectural photographer Morley Baer and his wife Frances built a house that is eloquently simple in the way it complements its rugged setting just below Highway 1 at Garrapata Beach.

The stone-clad rectangle (over steel reinforced concrete block) sits at the edge of a field by a rock outcrop — like a restored stone barn from the 19th century somewhere in the Scottish highlands.

Only the very thin roof plane and the monumental window wall with its grid of twelve large square panes  framing the romantic vista — turning the big living dining room into the inside of a big box camera — expresses the modernity of the design.

Indeed, this window wall is very compelling. Long ago I remember looking through it and being totally mesmerized and thinking how fitting this design was for a nature/architectural photographer. The house sold recently for many millions — naturally (images courtesy John Gaar Real Estate).

Perhaps the ultimate nature-oriented designs — at least in the US — were built in the late 19th century in New York’s lake-filled Adirondack region. These super-rustic “Great Camps” for wealthy families escaping from New York or Philadelphia for the summer boasted elaborate stone and timber or log veranda-wrapped compounds, grand stone boathouses, and extensive docks.

A splendid new book — just in time to enjoy with the waning days of summer — describes the key examples in detail. Adirondack Style: Great Camps and Rustic Lodges by f-Stop Fitgerald (clever name) and Richard McCaffrey with text by Lynn Woods and Jane Mackintosh (Rizzoli 2011,) tells the history of camps owned by J. P. Morgan, various Vanderbilts, and the Rockefellers among many others. The sumptuous photographs show how the builders reworked natural materials and forms into a form of Rustic Baroque. Something to peruse as you sit on your own porch! The book was developed in cooperation with Adirondack Architectural Heritage.

The lesson in these sorts of houses and this sort of design is how the site determines the shape and character of each project. Of course these are extreme examples of creative responses to distinctive natural settings. Most waterside sites today are not as distinctive — if they can be had at all — but the concept still holds true no matter what the site: nurture that nature and make it your own!

Water Jets and Floating Homes

The Fluid Life

Summer heat has driven me to the drink (not just to the pitcher of margaritas!) and to wondering about waterscapes where fevered souls might find summer solace. I’m thinking water canons, like the extraordinary plumbing devices by WET Design that send baroque patterns of spray hundreds of feet in the air at places like the Bellagio in Las Vegas and the pool in front of the Burj al Khalifa in Dubai, the world’s tallest skyscraper.

These two views of the fountains at the Burj only hint at the remarkable spectacles that the fountains provide — there’s music too. The technology involved with throwing all this water around is fascinating. At a home builder show a while ago I saw a demonstration model of one of WET Design‘s smaller water cannons.


The valve pivots and swivels in multiple directions to create different spray patterns. The device looked to me like a jet engine with a nozzle. Very impressive. But perhaps a little large for my backyard sprinkler and you couldn’t run through it — it would run through you.

To continue the watery theme, but bring it a little closer to home, what about houseboats. Such compact designs are always worth a look for inspiration and ideas to adapt for landlocked abodes. This contemporary example, the Schwimmhaus by the intriguingly named German firm Confused Direction, caught my eye.

(This image courtesy Inhabitat.com.) I like the way the window wall tilts upward and forward for maximum light and view, making the deck appear to extend indoors, and creating the slope for the roof. Makes me want to sail away. And as it happens we have an exclusive plan that is very similar — by Mumbai architect Rinka d’Monte, Plan 467-3 — it’s part of our Exclusive Studio.

It’s not a houseboat but it feels like one, at least to me, and freshens the breeze in my imagination.