Tag Archives: Patios

Fire Pits and Outdoor Fireplaces

Heating Up the Patio

Patios and decks are evolving fast thanks to a new generation of outdoor fire amenities. The Key West Coffee Table by Firegear, for example,  which was introduced in 2011, is actually a portable propane fire pit. The elegant contemporary table is 43 inches wide, 20.25 inches tall, and 20

inches deep,and has a 30 inch-long stainless steel burner running across the top.

According to the manufacturer the burner is covered first with a 1-inch (minimum) layer of cinders/lava rock and then you can add a layer of “fire glass,” or “fire stones” — also available from Firegear (the two units above, one with a stainless steel top and the other with a bronze powder-coated one, courtesy Firegear). Eco Smart Fire makes a wide range of outdoor fire features (some of which I have mentioned in previous posts). The Dish, shown here, is

one of their most classic designs and recalls both Frank Lloyd Wright’s urns  and an abstract campfire (image courtesy Eco Smart Fire). It’s made of steel, stands 9.2 inches high with a diameter of 23.6 inches, and burns bio-ethanol. For the old-fashioned wood burning aficionado there are legions of products based on versions of the old drum idea but one example stands out for originality and

and practicality: the Landmann Ball of Fire Outdoor Fireplace. The steel mesh sphere puts the flames on a pedestal while protecting you from the sparks; dimensions are 30.25 x 32.75 x  34.75 inches (image courtesy Best Barbecue Grills Reviews.com).

Architects and designers have always been interested in using outdoor fireplaces to shape a place, not to mention a patio or terrace. Julia Morgan — architect of Hearst Castle — designed one of the most evocative outdoor fireplaces ever, in the late 1920s — actually four-in-one — as a monument to commemorate the saving of an old-growth redwood forest. It’s called the California Federation of

Women’s Clubs Hearthstone, built as part of a picnic site near the South Fork of the Eel River in Northern California, and is made of stone and redwood (photo by Andy Bird courtesy 101 Things.com). There’s a bit of an irony here, since the fireplaces would presumably consume the occasional redwood log, but it is nonetheless a marvelously poetic expression of a partnership between man and nature. It’s a small, gabled, cruciform-shaped temple to the gods — as if the entire forest were one giant house and this was its hearth. For a more recent residential example, consider the outdoor fireplace at a house in Washington’s

San Juan Islands by Olson Kundig Architects. The house and the fireplace are set into a stone outcropping. The hearth is “carved out of existing stone; leveled on top…otherwise left raw” according to the architect, so the fireplace is in one sense hewn right out of the site (photo courtesy Olson Kundig Architects).

Outdoor fireplaces are even designed into some of our ready-made plans, like

this one in Plan 120-162, which is part of a lanai overlooking the backyard. So you can see, there many ways — from temporary to permanent — to add a little summer sizzle to your outdoor space.

Frank McGahon, Irish Modern Architect

Compound Interest

One of the great pleasures of my job is meeting and working with talented architects from around the world who are interested in making high quality home design available to everyone. And so I am especially excited to present house plans by Irish architect Frank McGahon, the newest member of our Signature Studio.

His work is both regionally expressive in the use of traditional  features like stone walls and courtyard compounds, and very contemporary in the manipulation of open plans and strong indoor-outdoor connections, as you can see in a view of the living room window wall opening to the patio in Plan 520-6, above. Here’s a another view.

Each of the three key functional spaces — kitchen/dining area, living room/entry, bedroom wing —  is expressed as an independent gable.

One wing angles slightly away from the next to frame different views and allow a measure of privacy for each. The wide entrance hall binds them while bending them into a curve, like a bow-string pulled taut. Open the front door and you are effectively releasing the arrow and launching your gaze into the vistas ahead. Ingenious!

Frank (here he is) knows something about tradition. He has followed his great grandfather, grandfather, and father into practicing architecture in the town of Dundalk, equidistant between Dublin and Belfast. After graduating from the School of Architecture, University College Dublin in 1989 he worked in London and Dublin before returning to work for his father in Dundalk in 1992, eventually taking over the practice and establishing McGahon Architects in 2001. But he’s also a modernist as you can tell by the elegant abstraction of Plan 520-4, below.


 It’s an elemental nature-viewing pavilion; the ultimate getaway.

See how the living/dining area and master bedroom flank the flame-red kitchen/storage/plumbing core. It’s a modernist reduction to essentials and draws inspiration from great twentieth century architectural icons like Mies van der Rohe’s Farnsworth house, Philip Johnson’s Glass House, and more recently the work of Portuguese architect Eduardo Souto de Moura (winner of the 2011 Pritzker Prize) such as his house in Cascais, Portugal, shown below.

(This image courtesy the Pritzker Prize website.) I like how Souto de Moura’s house and pool are essentially “the same only different:” one a rectangular solid, suspended; the other a rectangular liquid, grounded. The firm of Shift architecture urbanism in Rotterdam has designed a faculty club for Tilburg University that uses the same shape but with different solids and voids, as shown below.

(image courtesy Dezeen Design Magazine). Indeed, there’s a fine essay waiting to be written about how modern architects have adapted the simple flat box in a thousand different ways, proving yet again that limitation breeds invention…

But Frank McGahon has additional arrows in his architectural quiver. One that’s particularly compelling is his use of courtyards and patios to make the house and lot extensions of each other while forming a compound, as he does in Plan 520-9, below.

The entire lot is divided into a series of rooms, some roofed and some not, with a home office in a separate structure at one end. In effect, the house is surrounded by courtyards. In Plan 520-7, it’s the other way around.

Here the courtyard is at the center and the house is a square doughnut in plan — like an atrium house in Pompeii. Again a major space like the kitchen/dining area connects to the outdoors in a dramatic way,

in this case via one of Frank McGahon’s signature glass gables. Compounds aren’t the only way to go however. His L-shaped house in Blackrock, Plan 520-8, is really an L-inside a rectangle.

Conceptually, then, whether surrounded by outdoor rooms or surrounding them, house = lot. This is the architectural imagination at work. Welcome to the neighborhood, Frank!